Name: NYU Course: The Process of Auditions
Start: 2020-01-28T203000Z
End: 2020-01-28T220000Z
Location: NYU percussion department

2020

Course Description and Details

3:30PM, Tuesday, January 28, 2020

3:30PM, Tuesday, February 4, 2020

3:30PM, Tuesday, February 11, 2020

3:30PM, Tuesday, February 18, 2020

3:30PM, Tuesday, February 25, 2020

3:30PM, Tuesday, March 3, 2020

3:30PM, Tuesday, March 10, 2020

3:30PM, Tuesday, March 24, 2020

3:30PM, Tuesday, March 31, 2020

3:30PM, Tuesday, April 7, 2020

3:30PM, Tuesday, April 14, 2020

3:30PM, Tuesday, April 21, 2020

3:30PM, Tuesday, April 28, 2020

3:30PM, Tuesday, May 5, 2020

Undergrad Registrar Listing

Grad Registrar Listing

I’m Never Completely Satisfied With My Own Playing…As It Should Be

Jason Haaheim | October 27, 2019November 23, 2019 | Art & Aesthetics, Auditioning Process, Composers, Deliberate Practice, Excerpts, Opera, Performance Psychology, Science & Music, Timpani

(The Attributes of Deliberate Practice: Mental Representations) Regular readers: I know it’s been a long time since my previous post. I believe that Mental Representations (the topic of this post) are both the most important and most difficult-to-describe attribute of deliberate practice. Because they are abstract and intangible, they defy easy and succinct definition…so apologies in advance for the length. Anyway, I used my summer hiatus to consider how to write about this topic most effectively…and I’m honestly still not sure how successful that’s been. So it goes. Also during my hiatus,…

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