A Process for Everyone: Teachers, Freelancers, and Big-Job Auditioners

Audience calibration can be difficult. Being an opera timpanist is, to put it mildly, a very specific niche. But one of my aims with this blog overall is to use my specific experience to extract and extrapolate principles that are universally applicable. So, reader, who are you? If you clicked your way here, you might be a percussionist at a conservatory, or an auditioning instrumentalist, or a dedicated music enthusiast. (Feel free to comment below!) Maybe you saw a facebook post, are on the mailing list, and/or have already read some of …

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